What you say to yourself matters


Hello Reader,

Here's a short, useful practice habit I want you to try.

Before you tell yourself anything negative about your playing/practicing, force yourself to name one very specific thing that sounded good. One tiny, concrete detail. Then write down everything that needs work in precise terms.

Why this works

Negativity bias makes us feel discouraged. That emotional reaction steals attention and motivation.

Saying one specific positive calms you down, resets focus, and makes it possible to get clearer on exactly what to improve.

I use this tool at our 2x/month live performance workshops inside Piano with Rebecca B. Sometimes it's hard for the performer to come up with something positive about how they played.


When a performer is stuck, I ask the listeners for what they heard that they liked. Watching the group lift each other up is powerful and heartwarming.

OK here is a
quick 5-minute practice structure

  1. Pick one micro-goal (1-2 min)
    Choose one problem to fix next.
  2. Make a plan
  3. Work in tiny chunks with full attention
  4. Evaluate and repeat
    Recording is your most powerful tool for improving your evaluations.

Here's a script you can say after each attempt.
One specific thing that sounded good: ____
One thing to fix next: ____
My micro-goal for the next 1-2 minutes: ____

Want to try it tonight? Reply and tell me one specific thing that sounded good.

But you might be saying "Rebecca!? What about Step 2? How do I know WHAT to try to fix the problem I have???"

Knowing exactly what to try next is hard — it took me 50 years to learn how to diagnose and solve the stubborn problems that stop pianists from playing beautifully. I can’t teach that whole toolbox in one email. Unfortunately 😒

But I can show precise, practical next steps inside Piano with Rebecca B. Check it out here:

https://www.skool.com/pianowithrebeccab/about

The 7-day free trial is open now (100% money-back guarantee):

If you're already a member, post your question in our feed or bring it to the next live Q and A on Monday Nov. 24th at 4 p.m. PST. I've set aside 90 minutes so I can get to everyone's questions.

Warmly,

Rebecca

Rebecca Bogart

I help passionate adult classical pianists realize their musical dreams through artistic intuition, actionable, specific feedback and transformative practice strategies.

Read more from Rebecca Bogart

Hey there,In the last year or so, I took some Timani lessons, and they helped me a lot. Not in a vague, woo way. In a practical way. Things felt more coordinated. Playing took less effort. Octaves got easier, and runs got faster. Here’s the tiny takeaway that stuck with me most: if your body is doing extra work, the music will feel harder than it needs to. So when you hit a sticky spot, don’t immediately “try harder.” First, look for what can be more efficient. I just got an email that...

Hey there,I hope you had a lovely holiday season. Also, in case you missed it last week, I posted a new YouTube video on why “random” mistakes usually aren’t random — and what to do instead so your playing feels steadier and more reliable. 👉 Watch here: https://youtu.be/jbW7Tee4Q_E I haven’t written according to my usual schedule—partly because of the holidays, and also because I needed real rest. The kind you don’t squeeze in between practice sessions. The kind that feels suspicious at first...

Hey there, I posted a new YouTube video because I keep hearing the same thing (and it came up in a lesson this week, too): “My mistakes are random.” They feel random… but most of the time they aren’t. In the video, I break down 5 common ways pianists accidentally train mistakes — and what to do instead so your playing feels steadier and more reliable. 👉 Watch here: Here’s the part most people miss: a lot of “random” wrong notes actually come from what your body did right before the mistake —...